The exhibition titled “Suspended” which is displayed in Gallery 1 may be evaluated as “art” criticism. The artist utilizes the canvas, which was built as a two dimensional surface and emerged as the domain of the artist’s expression and the gilded frame, symbolizing it being dressed up in the ostentation and the pageantry of the burgeoise (the capital) afterwards as the materials of his work. These frames, which have been the symbol of a direct relationship that has emerged through the work of art in the relationship between art and capital for many years, are also a display of irony regarding the powerless submission of the work, wrapped up in the arms of the rising capital values, to non-avantgarde quests.  They may also be regarded as the symbol of a mutual embrace. These gilded frames, which become the fancy dresses of the works of art, continue to be utilized in our day as the representation of the ownership and the hegemony of the capital.